Reviews: ‘Fantastic Beasts’ shows beauty of J.K. Rowling’s adventures mind, but she should write another Harry Potter.
In Warner Bros.' Fantastic Beasts and Where to Find Them (in theaters Friday), Eddie Redmayne stars as Newt, a magizoologist who loses a briefcase full of magical creatures in New York City. The film, set in 1926, co-stars Carmen Ejogo as Seraphina Picquery, Colin Farrell as Percival Graves, Dan Fogler as Jacob Kowalski, Ezra Miller as Credence Barebone, Alison Sudol as Queenie Goldstein, Jon Voight as Henry Shaw, Sr. and Katherine Waterston as Tina Goldstein.
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Reviews:
• "Fantastic Beasts is a rich, baroque, intricately
detailed entertainment with
some breathtaking digital fabrications of prewar
New York City," The Guardian's Peter Bradshaw writes, praising the film's
"Steampunk 2.0" vibe. "It's a very Rowling universe, dense with
fun, but always taking its own jeopardy very seriously and effortlessly making
you do the same. The Beasts movies may actually make clearer Rowling's
under-discussed debt to Roald Dahl. They also show that her universe with its
exotic fauna is in the best way, a cousin to that of George Lucas."
• "Maintaining Yates as director lends a consistency to
the project, and yet, it would have been refreshing to get a completely new
take on Rowling's world with this series, especially considering how murky and
self-serious they got in the final chapters," Variety's Peter Debruge
writes. "Still, Yates knows this world as well as anyone, and he excels at
finding visual solutions for challenging ideas...With all its ties to Harry
Potter arcana, Fantastic Beasts has clearly been designed for the most devoted
of Rowling's fans, and though it may prove confusing to newcomers, the faithful
will appreciate the fact the film never talks down to its audience."
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• "What really disappoints is that where Harry Potter
and his films felt entirely original, there's a 'franchise-y' feel to Fantastic
Beasts. It has the now-predictable rhythms of a Marvel origins movie — New York
again gets destroyed in a climactic barrage of special effects; the Blind Pig
speakeasy even seems modeled on the Star Wars cantina—and less of the
eccentric, innocent, English charms of Harry and his little chums and their
battles," The Wrap's Jason Solomons writes. "Something more is
needed, a bit more wit, perhaps, or dare I say it, some sexual tension."
Even so, Fantastic Beasts and Where to Find Them "has all the makings of a
huge family blockbuster, but all the bloated traps of those, too. It hasn't
quite got the balance right, but, like the title hints, surely knows where to
find the magic formula over the ensuing movies."
• "The film...unspools like a kiddie version of the
X-Men flicks. The xenophobic Muggle population (or No-Majs, as they're called
Stateside) live in rabid suspicion of the hidden world of hocus-pocus. And like
those films, its phantasmagorical special effects are easy on the eyes. So why
does Fantastic Beasts feel so oddly lifeless? Why doesn't it cast more of a
spell? First, there are the performances, which aside from Redmayne's are
surprisingly flat. And second, the thinness of the source material gives the whole
film a slightly padded feeling," Entertainment Weekly's Chris Nashawaty
writes. "Fantastic Beasts is two-plus hours of meandering eye candy that
feels numbingly inconsequential...For a movie stuffed with so many weird and
wondrous creatures, there isn't nearly enough magic." While the eight
Harry Potter films were huge hits for Warner Bros., "If it plans on
replicating Potter's success, its sequels will have to step it up."
• "Likely to draw in just about everyone who followed
the Potter series and to please most of them, the picture also has things to
offer for fantasy-friendly moviegoers who only casually observed that
phenomenon. The latter group, however, may be less convinced that this spinoff
demands the five feature-length installments Warner Bros. and Rowling have
planned," The Hollywood Reporter's John DeFore writes. As for Redmayne and
the rest of the cast? "Whether or not the ensemble chemistry ever clicks
to the extent it did for Harry, Hermione and Ron, Rowling clearly has an endless
supply of lore left to share with those invested in her world."
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• "The movie could have used more of that wholesome,
gee-whiz sense of wonder and a bit less exposition. Rowling's own source
material, a 2001 booklet, is a mere 128 pages long—there's no need to stretch
it out to a 132-minute epic stocked with five endings," Us Weekly's Mara
Reinstein writes. "It will be interesting to see how Rowling can stretch
out this franchise."
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